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Scherma
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Catacomba
The interplay between Roman history, pagan, and Christian belief is seen throughout Rome. The catacombs of San Sebastiano are a good example.
Now, we all now from Sandman #55 “Cerements” by Neil Gaiman that there are five methods of burial:
- Mummification (like the ancient Egyptians)
- Burning (like the late-Republic and early-Imperial Romans)
- Sky burial (like the Tibetans and some Native Americans)
- Sea burial (rare but permissible in most religions under exigent circumstances)
- Earth burial (like the early Christians in anticipation of corporeal resurrection at the Rapture)
The doctrinal need for interment — and the premium on land in Rome — is what drove the digging of Christian catacombs.
Originally, this spot along the Via Appia was a stone quarry. At the end of the 2nd century C.E., it was abandoned and repurposed for pagan burials. In addition to simple graves for slaves, three wealthy Romans families built elaborate mausoleums. But then in the 3d century, the whole thing was filled in and buried. After Constantine‘s conversion to Christianity, a church was built on top of the site and Christian burials were dug underneath into the tuff. In the case of this one church, 6 km of catacombs. (Pictures were forbidden in the catacombs, so there is nothing visual to accompany all of the above history.)
The church was later rebuilt by Scipione Borghese who had a habit of rebuilding churches and slapping his name on the front of them. But he was a great patron of Bernini, so I will give that to him.The church is home to this beautiful statue of Christ which was carved late in Bernini‘s life which is why it is widely believed that it was actually executed by his students under his supervision.
Via
The Via Appia, looking from Rome out through the Porta Appia to the wide world beyond.
I imagined embarking on a journey along this road. Heading south, toward the Mediterranean. Boarding a ship for the Levantine. Crossing the Silk Road as it spans Asia, through the Hexi Corridor, on to Xi’an.
Hard to imagine this road lined with the crucifixes of Spartacus and his army.
The villas and landscapes are either side of the road are breathtaking.
Porta II
Porta San Sebastiano was the gate I was looking for.
This was the old Porta Appia which stood astride the Via Appia (“Appian Way”), the most famous and important of the Roman roads.
The gate is about as wide as a modern vehicle, reminding me of one of those California Redwoods you can drive a car through on the Avenue of Giants.
This model lays out the Aurelian Walls.
A glimpse of the Via Appia through an arrow slit in the Aurelian Walls.
Looking straight up at the arch of the old gate.
The landscape north of the gate, towards the city center, is stunning.
I was instantly jealous of the Germans and Canadians for having their embassies in such a beautiful, beautiful place.
Porta
Porta San Paolo is one of the souther gates along the Aurelian Wall.
It is not to be confused with the Porta San Sebastiano which is a totally different gate and, um, the one I mistook this one for. I’m an idiot.
Pyramide
The Pyramid of Cestius was built around 12 B.C.E. to honor a magistrate and religious leader named Gaius Cestius. At least it’s not an obelisk.
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Parete
The Aurelian Walls were built between 271 and 275 C.E. during the reigns of Aurelian and Probus. They were ordered built because the city of Rome had long outgrown the old Servian Wall built in the 4th century B.C.E. (which, interestingly, did not follow the Pomerium which was the legal and religious boundary of Rome.)
The walls reminded a bit of the city walls of Nanjing.
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Biblioteca
The Baths of Caracalla were the second largest of the Roman baths.
In addition to a frigidarium (“cold room”), a double pool tepidarium (
medium room”), and a caldarium (“hot room”), the complex also contained a public library. Completed in 217 C.E., the baths were still in use and in working condition until the Ostrogoth conquest in the 6th century.
Freddo
I was coming up the escalator from the train platform at Re di Roma and the Metro station was cold. Really cold. Like, cold even for me. I couldn’t figure out why this was station was such a thermal anomaly until I got aboveground and saw that a temporary ice skating rink had been constructed directly on top of it. Mystery solved.
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Residenza
The Palazzo dei Quirinal — or, colloquially, just Quirinale — is sort of the White House of Italy but way, way, way bigger. It’s the official residence of the President of the Italian Republic and sits atop the highest of the Seven Hills of Rome.
In front is a statue of the twin brothers Pollux and Castor (as in the two brightest stars of & inspiration for the constellation Gemini) taming horses. Plus another Roman obelisk. Because you gotta have an obelisk.
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Fontana II
This is the Fontana dei Quattro Fiumi (“Fountain of the Four Rivers”) which I had stupidly confused with the Trevi Fountain. This is the fountain I had always wanted to see. In fact, I went full-Aragorn when I saw it, murmuring, “Long have I desired to look upon the [rivers] of old.”
It was designed by Bernini in 1651. Beneath yet another Egyptian obelisk, there are four sculptures personifying the four great rivers of the four continents over which papal authority had spread:The Ganges representing Asia…
…the Río de la Plata representing the Americas….
…the Danube representing Europe…
…and the Nile representing Africa.
And this is the one I have always wanted to see because I fucking love this: the sculpture of the Nile is depicted with its head covered because, at the time of its sculpting, the source of the Nile was unknown to Europeans.
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Padre
At noon on Easter and Christmas, the Pope steps out on the loggia of St. Peter’s Basilica and delivers the Urbi et Orbi (“to the City of Rome and to the World”) address and blessing. I got to St. Peter’s Square a couple hours early thinking that the crowds would be insane, but, yet again, China had warped my expectations. (I did have a funny China flashback, however, bantering with the polizia at the security checkpoint when they warned me not to hit my head on the top of the metal detector.)
I arrived early enough to get one of the limited number of chairs immediately beneath the loggia. Although, yet again, Disney had warped my expectations through forced perspective and I thought I was going to be much closer to the Pope than I turned out to be.
Everyone, even the Swiss Guards, were in good spirits.
Nearing noon, a band marched forward and arranged themselves with the guard under the loggia.
At the stroke of noon…
…the curtains parted…
…and Pope Francis stepped out and waved to the cheering crowd. (Man, the Catholic Church has it dialed in on how to make an entrance.)
Other V.I.P.s (cardinals, presumably?) joined him on the loggia.
The pope read his blessing from a lectern. It lasted about twenty minutes. Couldn’t follow it, but I caught a lot of “pace” and a couple of “bambini”.
There was some call-and-respsonse boilerplate and then the pope was (literally) “peace out”.
The bells of St. Peter’s rang like crazy.
I turned around afterward to find that St. Peter’s Square had filled out nicely. Based on this (and the Lindy Effect) I expect the Catholic Church will be sticking around for a while.
Fondazione
The Roman Forum is a hodgepodge of ancient ruins, some dating back to the 8th century B.C.E., in a small valley between the Palatine and Capitoline Hills.
I have never felt such an overwhelming density of history. There are artefacts from the Roman Kingdom, Roman Republic, and Roman Empire which have all survived to the modern day. Staggering.
The last — and largest — of the structures added to the Forum was the Basilica of Maxentius built by Constantine.
Looking out at the free-standing columns and rubble, I couldn’t help but think of Michael Whelan‘s painting Trantorian Dream.
Fitting, since Asimov‘s Foundation series was inspired by Gibbon‘s The History of the Decline and Fall of the Roman Empire.